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Ray Kirkland
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As
a boy in his hometown of Dothan, Alabama, Ray Kirkland would sit on the floor by
his grandmother's radio and listen to the 'Grand Ole Opry'. "I used to stare at
that old radio just waiting for Grandpa Jones to come on the air," Ray
recollects. Besides
Grandpa, the 'Opry' stars Ray most idolized were Hank Williams and Lefty Frizzell. "They influenced a
lot of people," Ray says fondly. Little did he know that he would soon share the stage with his
childhood heroes. It was an old guitar belonging to his mother that set
Ray on the road to Music City, and by the age of twelve Ray was a regular
feature on a variety television show in Dothan called "Open House With Barbara".
By the time he graduated from high school, standing on the stage was second
nature.
In 1961, Ray made his first appearance on the 'Grand Ole Opry' as a guest of Hank Locklin and has appeared with regularity on the 'Opry' stage ever since. Shortly after his premier 'Opry' performance, he joined the Webster Brothers Band and also served a stint singing duets with Rebe Gosdin.
In
1964, Ray was hired as a bass player by 'Opry' legends
Jim and Jesse, which became a major turning point in his life. He
packed up his dreams (along with his instruments) and moved to Nashville.
During the time he wasn't on the road with the famous band, Ray worked for
Music Row talent agent Joe Taylor. "Joe's offices were upstairs over
Columbia Records," says Ray. "Kris Kristofferson was working as a
studio assistant for Columbia and on our lunch hour we'd get together and
write songs." One of those songs was titled "You're Everywhere
Except Here In My Arms". Ray's talents were quickly recognized in
the music community and he became a sought-after musician as well as songwriter
and music publisher. However, in 1965, he answered a higher calling
and served a hitch in the United Stated Army. When Ray left the service,
he found out that Nashville had not forgotten him.
In 1967, he signed a recording contract with Chart Records, a division of RCA. His first release, "Let It Ride", was a 'pick hit' in the trades. Another song entitled "Today's Teardrops", graced the top ten lists of many major cities, as well as the Cashbox and Billboard Top 100.

In 1972, Ray was made a member of the renowned 'Jamboree USA' in Wheeling, West Virginia. Later that year he found himself traveling to Dothan, Alabama once again to host his own syndicated television show on WTVY. An illness in June of 1973 cost Ray about a year away from the music business. It was a hard time for him and a major setback to his career. His health restored in 1974, Ray began to pick up the pieces. He resumed his television show and his appearances on the "Jamboree"; and his ability to play bass, guitar and banjo soon led him back to the Nashville scene.
It was Ray's combination of talent and dedication that captured the attention of 'Opry' star Jimmy C. Newman; and for the next eight years, Ray opened the shows for Newman while also acting as his band leader and road manager. In 1985 he left Newman and went to work with Grandpa Jones, during which time he recorded a double album entitled "Dixie's In Alabama," produced by lifelong friend, Carl Jackson.

In 1992, Ray once again joined the Jim and Jesse show working the bluegrass festival circuit. He continued to write songs with his old pal, Carl; and in 1997 left the Virginia Boys to become the bass player, opening act and emcee for Kitty Wells. Ray says working for the "Queen of Country Music" is one of the highlights of his career.
Ray has led a fascinating life and his credits read like a who's who of Country music. His latest project, "Old Brush Arbors," is a labor of love culminating his musical career of over forty-five years.
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